Count Ceprano in Rigoletto, ROH 2023

Biography

Jamie Woollard is a Jette Parker Artist at the Royal Opera House for the 2023 to 2025 seasons. Roles at ROH in these seasons are Zuniga in Bizet's Carmen, Zaretsky in Tchaikovsky’s Eugene Onegin, Count Ceprano in Verdi's Rigoletto, Second Prisoner in Beethoven’s Fidelio, Dumas in Giordano's Andrea Chénier, and Sciarrone in Puccini's Tosca. Cover roles are Timur (Turandot), King of Egypt (Aida), Colline (La bohème), Orest’s Tutor (Elektra), Angelotti (Tosca), and Zebul (Jephtha).

In Summer 2023 Jamie performed with Glyndebourne Festival Opera as a Jerwood Young Artist where he covered Snug in Britten's A Midsummer Night’s Dream, and played Thierry in Poulenc's Dialogues des carmélites.

Jamie is a Samling Artist, a BBC music magazine ‘Rising Star’ 2023, and was awarded second prize at the Maureen Lehane Vocal Awards 2021. In concert, Jamie has performed as a soloist at Wigmore Hall, St Martin in the Fields, Cadogan Hall with The Mozartists, with Bournemouth Symphony Orchestra, and with the City of Birmingham Symphony Orchestra performing Handel’s Messiah at the Symphony Hall.

Jamie graduated from the Royal College of Music Opera Studio in 2023. At the RCM he performed the roles of Sarastro (Die Zauberflöte), Immigration Officer (Flight, Dove), Il Re in Respighi’s La bella dormente nel bosco, and Jupiter (Orpheus in the Underworld, Offenbach). Whilst studying he debuted at the Royal Opera House in the premiere of three opera scenes (Lost and Found, March ‘22) including Bass aria ‘Detritus’ (Laura Reid), and covered Segeste & Tullio in Handel’s Arminio (Linbury Theatre, April ‘23). Other credits include: Apollo & Titye (La descente d'Orphée, Charpentier) for Vache Baroque Festival; Commendatore (Don Giovanni) for Brunswick Vocal Arts, Saul (Saul, Handel) with Consort of Twelve, and Polyphemus (Acis & Galatea) for Eboracum Baroque.

“The role of Immigration Officer, sung by the bass Jamie Woollard, was handsomely sung and acted in a stern but caressing manner. Obviously at home as the voice of reason, his believable acting style was a much needed breath of fresh air.”

— Opera Wire, 6 July 2022, ‘Royal College of Music 2021-22 Review: Flight’

“[Eurydice’s] Act II duet with Jamie Woollard’s Jupiter – less ‘golden fly’ than ghastly bluebottle – was a tour de force of musical comedy”

— Opera Today, November 2022, ‘Orpheus in the Underworld

“Jamie Woollard’s Sarastro is not the genial character of tradition, but a more disturbing force. His cavernous yet firm lower register memorable in ‘O Isis und Osiris’.”

Classical Source, November 2021, ‘The Magic Flute’

Education

  • Royal College of Music, Opera Studio Artist Diploma, Stephen Catto Memorial Scholar supported by Fishmongers' Company Scholarship

    Studied with Graeme Broadbent

    Also supported by The Josephine Baker Trust, and The Sussex Opera and Ballet Society

  • Royal College of Music, Masters of Performance, supported by Alice Templeton Scholarship, awarded a PGDip. Grade: Distinction

    Studying with Graeme Broadbent

  • Durham University, B.A. (Hons.) History and Economics, Grade: 2:1